This month, many of the families meet in religious and tourist places such as mosques, restaurants and some parks in times of vigilance and magic … There are many paragraphs in these months Among them: Muscar, Hkwati and Fawazir Ramadan …
In addition to this … Ramadan religious sermons and singing and singing and dancing
The dance of the mulawi is a kind of divine male .. His way is reflected in the dance around himself with regular circular movements in order to meditate and reflect on the creation of God and to restrain the human soul and rationalize its worldly desires as also called (mystical dance)
The mulawiya is also a cultural heritage of society and its dancers are called "dervishes"
On that subject We met the current Sheikh of the Mellouiya way in the city of Aleppo, Mr. Mohammed Yahya Hammami said:
"I started working in this field in 1984 when I was 17 years old and was educated by Sheikh Jamil Shremo, nicknamed" Dada ". I was hesitant about his corner, which was in Al-Fardous district of Aleppo, so I got rid of his experience and advice.
After that, a special group of Pilates established several countries in the early 1990s with the professor Sabri spoiled Then I traveled with the professor Omar Sarmini To revive many concerts on huge theaters in addition to many concerts with musician Julian Jalaluddin Weiss .. "
As for the nature of the music that is associated with (the mullet), Mr. Hamamy spoke to us, adding:
"The books of heritage and contemporary history remind us that the mulawite dance in Aleppo started its ritual in the makwiya or the so-called" Mosque of Malakhana "near the hour of the ancient gate of the vulgate. In the beginning of 1950 it decreed that the ritual of takiyyah should be limited to prayer only without mullet. Then the old mulawites resorted to the angles that were held in the houses and the popular alleys of Aleppo where they were connected to the following rhythmic instruments (the nerazzan, the appearance and the chililla), as well as the flute machine only .. As time and days were added a number of musical instruments including law and lute to complete the scene of the takht Oriental music .. "
As for the details of his current mulouya team Hammami went on to say:
"I have been training my little boy (Muhammad) for 10 years and I have had many and varied participations with my team of 10 people, the last of which was a traditional art concert at the Opera House in Damascus. For this type of spiritual dance .. especially when the panel is formed of participants with different ages on the stage, which engulfs the presence of a large segment of society ..
The same thing that we have seen in most Arab world theaters .. After days we will also travel to Tunisia to meet to participate in a heritage ceremony .. In addition to another invitation this summer to participate in the festival Jerash / Jordan .. "
At the end of the meeting, Mr. Hamamy expressed his pride and pride that his Moulouia heritage band has been carrying the name of Syria and Aleppo in a large number of Arab and international theaters for 35 years.
(The article expresses the opinion of a writer)
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